BASIC MIX INSTRUCTIONS WHEN USING PORTLAND CEMENT AND A MORTAR MIXER:
Start the mixer.  Add a five-gallon pail of water and the Olde World Additive #1-BL to the mixer.

The water temperature is very important.  You want room temperature water if possible.  If the temperature of the mix is about 65 to 70 degrees, the mix will vibrate out better, give better homogeneity, and will also set up better.  The warmer the water... the faster the cement will set up.

Oxides are next to go into the water.  To insure that you get the right coloration in the mix, stop the mixer and pull open the top grate so that your oxides are added directly into the water, and that they don't get stuck to the grate top or on the mixer blades.

Turn the mixer back on. Now add half of the cement and three (3) buckets of sand.  Let the mixer run for about a minute or two.  Now add remaining cement and 2-1/2 buckets of sand. (cement first, sand second).  Add the Olde World Additive #2-19 and continue mixing for no more than another three minutes.  Over-mixing with the #2-19 Additive in the batch may cause excessive air entrainment, which may result in "bug holes" (bubbles) on the face of the stone or tile.  Bug holes, or pinholes at the corners are usually caused by excess mold release being left in the mold prior to pouring in your concrete.

Remember: Olde World Additive #2-19 should be in the batch for only the last three minutes of mixing.

When adding the remaining sand, (aggregate), and cement, note how much the mixer slows down.  Be sure to keep a gallon of water on hand in case the batch needs more.  Generally, we have found that for each of the basic colors, using dry sand and following all other directions properly, between 9 and 10 gallons of water is needed.  You'll find that very dry sand may require ten gallons, and wet or moist sand may only need as little as eight gallons of water to get it to work correctly.  (Start with about seven gallons in the mixer)

Mix temperature is very important.
We suggest covering your sand with a tarp if it's outside.  We also suggest bringing in your sand the day before you are mixing if you are in a cold area.  This way your sand can warm up overnight.  The whole reason for having the mix warm is that it will vibrate out quicker, freeing the trapped air and thus eliminating air voids.  It will also set faster.  The batch may not slump correctly if the water temperature is well below 55 degrees.

BASIC MIX FORMULA FOR THIN STONE VENEER AND TILE:
Cement.......................................................One 94 lb. bag of Portland cement (gray or white)
Coarse Sand................................................5 - 1/2 - Five Galloon Pails full
Water..........................................................8 - 10 Gallons
Olde World Additive #1 - BL..........................16 - 20 Ounces
Olde World Additive #2 - 19...........................4 Ounces
Color Oxides................................................Per Color Formula

WHEN MAKING THICKER, (1"+) STONE OR TILE, REPLACE TWO BUCKETS OF SAND WITH GRAVEL.

When making smaller batches, as when you don't have a vibrator table and mortar bixer, use all of the ingredients in relative proportions.  In other words...for a half batch, which will make about 40-45 tiles that are 12" x 12" x 1/2" if mixed correctly, use 47 lbs. of cement, start with about 4 gallons of water, use 10 oz. of Additive #1-BL, 2 oz. Additive #2-19, 2-3/4 buckets of sand and half of the color oxides called for in the full batch formula.  If you are going to make a "quarter" batch, cut the full-batch ingredients to 25% of each.  I wouldn't go much smaller than that unless you are experimenting with the color or trying for a specific color.  This is covered elsewhere on this website.

In the cases of half or quarter batches, you will most likely be mixing your material in either a wheelbarrow or a square cement box by hand.  Mix all ingredients together at once except for the cement and sand.  Use about half of these ingredients initially, and add the second half once your batch is thoroughly mixed, and the color is uniform.  You need to accomplish this as quickly as possible.  You don't want your mix setting up before you are able to pour it.

The vibrating will be done by hand, after the mix material is poured into your molds.  In the case of hand-vibrating, you may want to fill more than the three molds called for when using a vibrator table.  Start off by filling six molds with your mix.  Bounce the filled molds on the table for about 15 seconds each....#1, then #2, then #3, etc., etc.  Do this two times for each mold, in succession.  This gentle "hand vibrating" should disburse any air bubbles in your mix, and give you a nice smooth face on your stone or tile.  It may take a little trial and error before you get the right combination; so feel free to experiment with different techniques.

THE PROPER WORKING CONSISTENCY OF THE CEMENT MIX:
If your mix is too thick, it won't vibrate out correctly, and may cause pin-holes on the face of your stone or tile.  It's also more work to get it out of the wheelbarrow, into the scooper can, and then into the mold.  Conversely, if it's too thin, you won't be able to heap the correct amount into the can.  It would just flatten out, creating too thin a stone or tile.  They would also be much weaker.  The water content eventually evaporates and will be displaced by air, which means more shrinkage in the stone and more weakness.  If the mix is too thin, there is also a tendency for the mix to scum when vibrated.  The "scumming" on the backs of the stone or tile is actually a thin layer of the cementitious material that never really sets correctly.  If you get "scumming" on the tile, the next day when pulling the product from the molds, the layer has to be removed by scraping.  If you don't, the tile or stone may pop loose after installation due to the setting material not grabbing the back of the stone or tile sufficiently.

On average, the batch should mix in the mortar mixer for about ten minutes total.  At six to eight minutes you can still have some un-dissolved color particles, or dry aggregate.  The unmixed color will come out as splotches on the stone or tile.  Proper mixing also helps to accelerate the mix setting time.

When mixing your batch by hand, you should mix the color in your batch water first, being sure all colorant is dissolved.  By doing so, you don't have to worry about splotches or un-dissolved colorant.

USING A VIBRATING TABLE TO MAKE STONE AND TILE:
Our tabletop vibrating table is perfect for small commercial operations, or if you are going to be doing a number of good-sized projects.  The costs of a vibrating table may be prohibitive for most personal projects.  You can check our on-line catalogue and web store for pricing to make that determination.

Our H.D. Floor Model vibrating table has thick rubber air bags (donuts), on the four corners.  These give a stiff vibration, with minimal up and down movement.  The two things that you want to achieve with a vibrating table are the frequency of vibration and the distance of travel up and down.  Also, the pattern of the vibration is important.  You want a pattern of vibration that is circular and contained within the perimeter of the mold.  You need to keep your table clean.  If the table isn't level, the tile or stone won't be flat.  You need to check the level of the table periodically and make adjustments accordingly.  All of these variables have to be correct so that in combination with the proper thickness of mix, the desired result is achieved...a strong stone and tile.  Check donut air pressures daily to be sure they are firm and the table is level.  Start with about 15 pounds in each donut.

We also now offer free plans and instructions on our www.TheMoldStore.info website to make an inexpensive Vibrating Table  for around $50.00 or so, yourself.  The plans were submitted by one of our customers.

When vibrating by hand, you want to "bounce" the filled mold from side to side a couple of times, then turn the mold 1/4 turn and repeat, so all areas of the mold have been "bounced".  Turn 1/4 turn and bounce from side to side again.  Keep doing this for about 15 seconds with each mold you have filled on the table.  Then start over again with the first mold you started with for another 15-30 seconds.  After that, put the molds into your curing rack if you have one, or set aside to cure, covered in plastic.  As you place the mold down, give it a slight shake from side-to-side to help level the mix.  Not so hard as to "splash" the mix to one side though.

CLEAN-UP PROCEDURES AFTER CONCRETE STONE AND TILE PRODUCTION:
You have shut off the mixer and washed it out thoroughly.  Now that you have finished that, dump the water that is in the mixer into the wheelbarrow.  Clean out the mixer and leave it in the down position so it will continue to drain.  The water that is now in the wheelbarrow should be recycled.  Pour it, (along with the remaining sand and residue), into five-gallon plastic pails.  Keep the filled pails by the mixer, as this water will be used the next day.

When ready to start the next day's pouring, skim any residue off of the top of the water surface and pour the water from the pails into the mixer for the day's first production.  Note that the sand/cement that was suspended in the water has now solidified to the bottom of the five-gallon pails and the water left over is clear and clean.

After a period of time doing this, the five-gallon pails will be filled with solid cement and can be disposed of properly.  Some Producers peel the plastic pail away, leaving a sturdy base for small tables, benches, etc.  Now that's total recycling!

If you are not using a mixer, perform the same procedure with whatever you are using to mix your batches in.  Remember, this procedure is for the last batch of the day.  If making another batch of stone or tile, especially the same color, there is no need to empty out the entire residue.

You must now cover the filled molds with plastic sheeting.

This helps the hydration of cement by keeping the temperature up chemically and maintaining an extremely humid condition inside the sheeting.  This is very important in creating a harder and stronger stone or tile, and is especially critical the first day when water retention and heat are so necessary.

If the weather is really hot and dry when you are making the stone or tile, and it seems that any water on the floor is drying up quite quickly, remember that this is also what is happening in the molds.  What you want to do is keep that floor wet, every hour, half hour, or even 15 minutes, depending on how fast the water evaporates, spray the floor so that the moisture can keep the whole area wet.  If you don't, the face may stick around the edge or corners of the mold due to rapid drying at those "air-exposed" areas.

If making stone or tile in a basement or other "indoor" facility, this may not be practical, but then the dryness, or low humidity will probably not be a problem, either.

If volume production pressures do not force you to remove the stone or tile from the molds the following day, let them stay under the plastic longer.  This will further aid the curing process.  Under no circumstances should you force dry stone or tiles by blowing a fan on them, putting them in the sun to dry, or using any other artificial "drying" method.  The stone and tiles need moisture for curing.  The only method for accelerating the curing process is through a steam curing process used commercially.  That would involve expensive equipment, etc.  Also, be careful not to place your curing stone or tile where there are breezes present.  Improper accelerated drying will crack your tile.

CARRYING AND CURING PROCEDURES FOR CONCRETE STONE AND TILE :
After you've removed the newly produced stone or tile from their molds, scraped or brushed the backs to remove any loose cement, and "shaved" the sharp edges, you will need to carry the tile to the curing racks, if you have any.

Place the palm of your hand up underneath the stone or tile, making sure not to put your hands or fingers on the face.  If you do, the oil from your hand or fingers combined with the sensitivity of the surface of the tile at this stage may create a dark mark that will remain on the face of the stone or tile even after you seal it.  This is caused by oil transfer.  Place the stone or tile into the curing racks or shelves with about one inch hanging out over the edge of the shelf.  This will make removal of the stone or tile easier, and not necessitate touching the faces when removing them.

Leave the stone or tiles in the curing racks or shelves, for at least 2 1/2 to 3 days.  Attach a date slip on the rack where the new stone or tiles are so you know  how old the batch is.  After three 3 days, the tile is normally ready for sealing.  If using a water-based acrylic sealer, you can seal the stone or tile right out of the mold.  Be aware that the color mottling will be stronger though.  If you want a very "even" color on the face...give them a few days more curing before sealing.  Other tips and techniques are covered under the various "Finishing" sections.

POURING CANS, OR SCOOPERS, HELP WITH STONE AND TILE THICKNESS CONSISTENCY:
Different sized pouring, or scooping cans, have a very specific function...they help you make a product of a consistent thickness.  There is a can list that tells how to fill each can.  The cans are basically a very simple design, but they work well and will last quite awhile.  We have made handles on some of these cans and have drilled holes in the bottom of them.  These holes allow air to pass, so no vacuum occurs.  Every time you fill the can and empty its contents into a mold make sure all the mix is out.  After all molds have been filled, clean the can in water and let it drain upside down.  As an example, the can for the average 12" tile mold is a standard 46 oz. can that pineapple juice comes in.  Fill with mix to the top for #1222 hexagon tiles.  Fill to within 1/2" from the top for the other 12" tile molds.

MAKING A "SCOOPER" TO USE TO FILL YOUR MOLDS TO A CONSISTENT THICKNESS:
Here's a simple method of determining what size can to use to pour your concrete mix into your molds.  Lay your mold flat.  Fill the mold with water to the depth (thickness) that you want your stone or tile to be.  Now pour that water into a measuring cup.  Let's say it is 6 ounces.  Tuna fish comes in a six-ounce can.  Eat the tuna...wash out the can, so you don't make a smelly tile. (That was a joke).  Now when you are ready to make your tile or stone, fill the can with concrete mix, dump it into your mold, and you will have a consistent thickness of tile with each filling.

WHAT TO DO ABOUT BUBBLES OR PINHOLES ON THE SURFACE OF YOUR STONE OR TILE:
Suppose everything looked great the day you made the stone or tile.  You put it in the production racks, but the next day, when you pulled the product, the surfaces along the perimeter and around the corners have "bug holes" or pinholes on the face!

There can be several reasons for the bubbles.  Consistency of the mix, (it may have been too thick).  Too much mold release, (you didn't wipe into the corners and the edges to make sure you got it all out).  The velocity of vibration versus the frequency was not right (if tile or stone is left on the table too long, or not long enough, the air is not going to come out).  You left your molds too long between applying mold release, and pouring your stone or tile.  The release will settle and accumulate into the low parts of the mold, displacing wet mix, and leaving voids.

Too cold a mix temperature can also cause bubbles due to less slump under vibration.  Another possible cause for bubbles on the face of the tile or stone is that your aggregate size doesn't have enough fines in it (very seldom the problem).  If it's too coarse, we suggest going to a ceramic supply store and get some 200-mesh silica flour.  Sometimes they call it flint.  If you add from two to five pounds to the mix, you will have added the necessary fines for compacting and eliminating bubbles.  (This is a last resort and should only be used if all else fails).

If "hand mixing" you may not have vibrated the tile molds enough to get the bubbles out.

When not using a vibrating table, pour three molds at a time.  If two people are doing the pour, take turns "vibrating" and turning each of the molds for about one minute total.  Allow each mold to "rest" for a short period while vibrating the other two...then go back to it.  Use 15-second intervals on each mold.  This means that each mold should be handled four times before racking.

SCUMMING ON THE BACK OF YOUR STONE OR TILE:
We know that if the mix is too thin, scumming will occur quickly, especially when using a vibrator table.  Sometimes there are other "ingredients" in the mix that can cause problems.  For example, if you have "ocean" sand instead of a "river" sand, and it's unwashed, you can have salt present, which may cause foaming.  If your sand is outside and you have cats or dogs (they just love sand piles), that too could create "problems" in your product...there may be something "else" present that you don't want in your stone or tile. (:-)

Salt slows down, or can ruin the set of cement.  Worse yet, urine can also make the mix foam.  This is another reason for covering your sand...to keep animals out.  Constantly watch for scumming, as it is highly undesirable.  If scumming does occur, be sure it is brushed off the backs of the stone or tile.  If tile or stone is installed without removing the scumming, it can pop loose later as the scumming delaminates from the adhesive mortar or thinset.

Be sure to scrape the backs of the stone and tiles, and the sharp bottom edges also.  This will help the tile or stone lay flatter, and will lessen the chance of you getting cut by the sharp edges during handling.  It can also help prevent "hollows" in the backs of your stone and tiles.  (Air pockets under installed tile or stone).
NOTE:  Scumming is seldom a problem when mixing your tile batch by hand.

DEMOLDING YOUR NEW STONE OR TILE:
First pull a few of the molds and check the backs for scumming.  If there is any, scrape it off.  Put your thumb on the bottom side of the tile, your four fingers on the plastic mold's top.  Turn it over onto the table very gently.  Put cardboard on the table as a cushion.  With a rocking motion, hold the right hand on the right corner and the left hand on the left corner of a mold.  Have it sticking out about two inches over the table edge, and rock it back and forth.  This should free the tile from the mold.

Care should be taken when you peel the mold off.  The corners of the mold will eventually break down and the center at the edge of the tile mold will start bowing out if you de-mold improperly.  Never "bend" or "twist" a mold to get stone or tile out.  Never place a mold inside of the other and press down or pile other molds on top.  Never touch the face of your stone or tile with your fingers if at all possible. (It may leave an oil mark).

NOW COVER THE STONE OR TILE WITH PLASTIC AGAIN.

CONTROLLING THE QUALITY OF YOUR CONCRETE STONE AND TILE:
If you perform on-going quality checks, you should never run into any quality control problems.  As an example; if you check the backs of the stone or tiles (for scumming), the thickness (too thin or too thick), and the face of the stone and tiles (for bubbles), there is very little else that can go wrong with your batches, as long as you follow proper procedures.  All of these "checks" can be performed as part of the demolding process and caught immediately.  Remember, very tiny pinholes usually do not present a problem, as they will be filled with either sealer or grout, and will seldom be noticed.

If you have a laborer doing the manufacturing process...It is imperative to instill in your laborers the fact that the stone or tile must be perfect.  Get them used to performing quality assurance checks, but don't scold them if too many air bubbles are found, or if the stone or tile is not level, etc.  If you do...they may not look for the quality YOU are looking for.  It may cause them to try to sneak some "less than perfect" stone or tiles into the boxes before you see them....NOT GOOD!

REMEMBER...THIS IS A HAND-MADE, CUSTOM PRODUCT.  YOU WANT A CERTAIN AMOUNT OF WHAT SOME MIGHT CONSIDER DEFECTS.  THESE ADD CHARACTER TO YOUR STONE OR TILE.  JUST BE SURE THAT THE "CHARACTER" YOU ARE GETTING IS WITHIN YOUR GUIDELINES.  DON'T BE TOO ANAL.  LOOK AT OTHER HAND MADE PRODUCTS. THE UNIQUE NATURE OF EACH STONE OR TILE IS WHAT IS FOUND IN PRODUCTS MADE BY MOTHER NATURE.  THEY MAKE YOUR PRODUCT LOOK MORE LIKE REAL STONE PRODUCTS!

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